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Bengali muslin was associated with the power and elegance of the Mughal court in India, as shown in this 1665 depiction of princes Dara Shikoh and Sulaiman Shikoh Nimbate Mughal Empress Nur Jahan holding a portrait of Jahangir by Bishandas in a translucent muslin gown c.1627 Processes in the Manufacture of Dacca Muslins, in: John Forbes Watson: The Textile Manufactures and the Costumes of the ...
Peshwaj (peshwaz, paswaj, tilluck, dress) was a ladies outfit similar to a gown or jama coat with front open, tied around the waist, having full sleeves, and the length was full neck to heels. Peshwaj was one of the magnificent costumes of the mughal court ladies .
Owing to the relative isolation of the ladies in court, due to the Purdah, fashion in the early days of the empire adhered to traditional dress of Khurasan and Persia. In time, the social and diplomatic relationships between the Mughal Dynasty and the rest of India (Rajputana in particular), led to more exchange in accoutrements. [15]
From the Mughal rulers to the European colonial rulers, Bengal's muslins were recognized for their superiority, with the muslins produced at Sonargaon being the best. In 2013, the traditional art of Jamdani weaving in Bangladesh was included in the list of Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO. [55]
The lehenga, also known as the ghagra, is a traditional Indian garment that became popular in the 16th century, [1] mainly in India, Bangladesh and Pakistan. The lehenga became a favorite attire for Mughal women of all ages and classes due to its royal appeal and convenience The lehenga is sometimes worn as the lower portion of a gagra choli or ...
Jamdani was originally known as Dhakai (Daccai) named after the city of Dhaka (Dacca), one of many ancient textile weaving centers in Bengal region. [5] Under the Mughal Empire the Persian term Jamdani came to be in popular use, since it was the court language of the Mughals.
The traditional art of weaving jamdani, considered the best variety of tant clothing, has been enlisted by UNESCO as an Intangible Cultural Heritage of Humanity. Along with ordinary Bengali women of Bangladesh and West Bengal, many prominent Bengali female personalities also prefer to wear tant sari as their regular outfit.
In the mid – 17th century the East India company of London was permitted by the Mughal government to establish a few factories (trading posts) in Bengal. The handloom textile industry employs a large section of the population. About 60 to 65 percent of the demand for textiles in Bangladesh is supplied by the handloom industry. [1]