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The ancestors of Jesus are listed in the Biblical books of Matthew and Luke. This is the first known large painted series, although they were often shown in stained glass. See Tree of Jesse. Although each picture has a title, the characters cannot be positively identified.
Pieter Coecke van Aelst (Aalst, 14 August 1502 – Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries. His principal subjects were Christian religious themes. [1] Below is an incomplete list of Pieter Coecke van Aelst's works:
This church has a remarkable collection of glass by Arts and Crafts artists including three stained glass windows by Whall. These include "The Good Shepherd" of 1902 and the "Resurrection". "The Good Shepherd" is the East window and depicts Christ as the Good Shepherd, with quotations from Psalm 23 in the surrounding scenes.
In addition to Christian churches, stained glass windows have been incorporated into Jewish temple architecture for centuries. Jewish communities in the United States saw this emergence in the mid-19th century, with such notable examples as the sanctuary depiction of the Ten Commandments in New York's Congregation Anshi Chesed.
At Truro they were commissioned by John Loughborough Pearson to design windows for the new Cathedral, and of these windows it is claimed "The stained glass which was made by Clayton and Bell is thought to be the finest Victorian stained glass in England and tells the story of the Christian Church, starting with the birth of Jesus and finishing ...
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
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