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The Piano Trio in B-flat major, Op. 97, by Ludwig van Beethoven is a piano trio completed in 1811. [ 1 ] [ 2 ] It is commonly referred to as the Archduke Trio , because it was dedicated to Archduke Rudolph of Austria , the youngest of twelve children of Leopold II, Holy Roman Emperor . [ 2 ]
If an instrumental piece is intended to be performed by more than one person, each performer will usually have a separate piece of sheet music, called a part, to play from. This is especially the case in the publication of works requiring more than four or so performers, though invariably a full score is published as well. The sung parts in a ...
Domenico Scarlatti: The Keyboard Sonatas – Lists at Classical.net, sorted by Longo, Kirkpatrick or Pestelli numbers or key, time signature; Scarlatti Domenico: Catalogue; lists original sources for more than 600 keyboard sonatas including many not listed in this article; newly discovered ones and doubtful ones; other lists such as Fadini's edition.
In music written using the system of major-minor tonality ("keys"), which includes most classical music written from 1600 to 1900 and most Western pop, rock, and traditional music, the key of a piece determines the "home note" or tonic to which the piece generally resolves, and the character (e.g. major or minor) of the scale in use. Simple ...
[13]: 58 The next year, Beethoven used the same theme as the basis for his Variations and Fugue for Piano in E♭ Major, Op. 35, now commonly known as the Eroica Variations due to the theme's re-use in the symphony. It is the only theme that Beethoven used for so many separate works in his lifetime, and each use is in the same key of E ♭ major.
The Consolations, S. 171a/172 (German: Tröstungen) are a set of six solo piano works by Franz Liszt. The compositions take the musical style of nocturnes [1] with each having its own distinctive style. [2] Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3 ...
The Symphony No. 3 in E ♭ major, Op. 97, also known as the Rhenish, is the last symphony composed by Robert Schumann, although not the last published.It was composed from 2 November to 9 December 1850 and premiered on 6 February 1851 in Düsseldorf, conducted by Schumann himself, [1] and was received with mixed reviews, "ranging from praise without qualification to bewilderment".
The piece revolves around a diatonic melody which Rachmaninoff claimed "wrote itself". [13] [11] The theme soon develops into complex and busy pianistic figuration. The second theme opens with quiet exchanges between the orchestra and the piano before fully diving into the second theme in B ♭ major.