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Minoan art is often described as having a fantastical or ecstatic quality, with figures rendered in a manner suggesting motion. Little is known about the structure of Minoan society. Minoan art contains no unambiguous depiction of a monarch, and textual evidence suggests they may have had some other form of governance.
The Bull-Leaping Fresco from Knossos showing bull-leaping, c. 1450 BC; probably, the dark skinned figure is a man and the two light skinned figures are women. The history of Crete goes back to the 7th millennium BC, preceding the ancient Minoan civilization by more than four millennia.
Scripta Minoa: The Written Documents of Minoan Crete: with Special Reference to the Archives of Knossos. Vol. I: The Hieroglyphic and Primitive Linear Classes: with an account of the discovery of the pre-Phoenician scripts, their place in the Minoan story and their Mediterranean relatives: with plates, tables and figures in the text.
Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art , and in later periods came for a time to have a dominant influence over Cycladic art .
The smaller figure before "restoration" The two Knossos snake goddess figurines were found by Evans's excavators in one of a group of stone-lined and lidded cists Evans called the "Temple Repositories", since they contained a variety of objects that were presumably no longer required for use, [5] perhaps after a fire. [6]
The EM IIA and IIB Vasiliki Ware, named for the Minoan site in eastern Crete, [19] has mottled glaze effects, early experiments with controlling color, but the elongated spouts drawn from the body and ending in semicircular spouts show the beginnings of the tradition of Minoan elegance (Examples 1, Examples 2). The mottling was produced by ...
The Heraklion Archaeological Museum is a museum located in Heraklion on Crete. It is one of the largest museums in Greece [1] and the best in the world for Minoan art, as it contains by far the most important and complete collection of artefacts of the Minoan civilization of Crete. It is normally referred to scholarship in English as "AMH" (for ...
Horns of Consecration is a term coined by Sir Arthur Evans [1] for the symbol, common in Minoan civilization, that is usually thought to represent the horns of the sacred bull. Evans said they were "a more or less conventionalised article of ritual furniture derived from the actual horns of the sacrificial oxen". [2]