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"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains.
The story provides a Jewish version on the theme of a person or persons (as the Seven Sleepers) sleeping for many decades and waking to find a changed world—a theme originating in the story of Epimenides—found in many divergent cultures and traditions, and in modern times associated especially with the Rip Van Winkle story.
Along with Irving's companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction with enduring popularity, especially during Halloween because of a character known as the Headless Horseman believed to be a Hessian soldier who was decapitated by a cannonball in battle. [1]
Van Dien adds, "Washington Irving went around and captured some of them," including Rip Van Winkle and the Legend of Sleepy Hollow, which he wrote and published in 1819 and 1820, respectively ...
The Golden Legend may have been the source for retellings of the Seven Sleepers in Thomas de Quincey's Confessions of an English Opium-Eater, in a poem by Goethe, Washington Irving's "Rip van Winkle", H. G. Wells's The Sleeper Awakes. It also might have an influence on the motif of the "King asleep in mountain".
Rip would want a company with products that were timeless and with the ability to Probably one that he could purchase then snooze for 20 years or so without any worries.
Rip's Dream is based on two sources: the original 1819 "Rip Van Winkle" story by Washington Irving, and the 1882 operetta version of Rip Van Winkle (with music by Robert Planquette and libretto by Henri Meilhac, Philippe Gille, and Henry Brougham Farnie). [1] Two elements, the mysterious snake and the village idiot, are Méliès's own creations ...
Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow", both of which were immediately acknowledged as The Sketch Book's finest pieces, American and English readers alike responded most strongly to the more sentimental tales, especially "The Broken Heart", – which Byron claimed had made him weep [23] – and "The Widow and Her Son".