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In this poem, it is the Filipino youth who are the protagonists, whose "prodigious genius" making use of that education to build the future, was the "bella esperanza de la patria mía" (beautiful hope of the motherland). Spain, with "pious and wise hand" offered a "crown's resplendent band, offers to the sons of this Indian land."
"Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God carried the protagonist.
El Consejo de los Dioses (English Translation: The Council of the Gods) is a play written in Spanish by Filipino writer and national hero José Rizal, first published in 1880 in Manila by the Liceo Artistico Literario de Manila in 1880, and later by La Solidaridad in 1883.
Cover of the 1905 edition of the essay, published to commemorate the 15th anniversary of La Solidaridad. Filipinas dentro de cien años ("The Philippines a century hence") [1] is a socio-political essay written in four parts (September 1889- January 1890) in the magazine La solidaridad by José Rizal. [2]
The prologue for W.E. Retana’s book on Rizal was written by Javier Gómez de la Serna, while the epilogue was written by Miguel de Unamuno (1864–1936). Vida y Escritos del Dr. José Rizal is the first biographical account of the life of Rizal written by a non-Filipino author (the second is Rizal: Philippine Nationalist and Martyr by British ...
With the arrival of Spanish conquistadors, the social construction of women in the Philippines was soon influenced by historical Spanish Catholic gender norms. [1] [2] American historian Edward Gaylord Bourne wrote in his 1902 introduction to The Philippine Islands, 1493–1898 that the imposition of Christianity "elevated the status of women" in the country. [3]
At home, the Rizal ladies recovered a folded paper from the stove. On it was written an unsigned, untitled and undated poem of 14 five-line stanzas. The Rizals reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mí último pensamiento ...
His works were recognized by Jose Rizal who even said "He was a true orator, of easy and energetic words, vigorous in concepts and of practical and transcendental ideas". Among the articles he published were "El Pensamiento", "La Universidad de Manila: Su Plan de Estudio", and "Los Nuevos Ayuntamientos de Filipinas".