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Born in Milan, he founded a dance academy there in 1554. He was an active court choreographer for the nobility in Milan. He wrote Le Grazie d'Amore, the first text on ballet theory to expound the principle of the five basic positions [citation needed]. It was republished in 1604 as Nuove Inventioni di Balli (New Inventions of the Dance).
In 1934, Vaganova wrote Fundamentals of the Classical Dance, which remains a standard textbook for the instruction of ballet technique. In 1948, Vaganova authored a book titled The Foundation For Dance (more commonly known as Basic Principles of Russian Classical Dance ) that outlined her training method and ballet technique.
Irmgard Bartenieff (February 24, 1900 – August 27, 1981) was a German-born American dance theorist, dancer, choreographer, physical therapist, and a leading pioneer of dance therapy. A student of Rudolf Laban , she pursued cross-cultural dance analysis, and generated a new vision of possibilities for human movement and movement training.
Her training method is now internationally recognized and her book, The Fundamentals of Classical Dance (1934), is a classic reference. This method is marked by the fusion of the classical French style, specifically elements from the Romantic era, with the athleticism of the Italian method, and the soulful passion of Russian ballet. [34]
Ballet technique is the foundational principles of body movement and form used in ballet.It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement. [1]
The greatest influence on the development of the Cecchetti method was Carlo Blasis, a ballet master of the early 19th century.A student and exponent of the traditional French school of ballet, Blasis is credited as one of the most prominent ballet theoreticians and the first to publish a codified technique, the "Traité élémentaire, théorique, et pratique de l'art de la danse" ("Elementary ...
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Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance. Two predominant training systems are used to teach Italian ballet today: the Cecchetti method, devised by Enrico Cecchetti, and that of the La Scala Theatre Ballet School.