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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
Talwin Morris suggested Charles Rennie Mackintosh as the architect for Hill House, and Blackie, despite Mackintosh's youthfulness, was convinced after seeing other houses designed by him. Blackie had specific requirements for the construction, seeking grey rough-cast walls and a slate roof instead of traditional materials like bricks and wood ...
The building was constructed between 1989 and 1996 based on a 1901 Art Nouveau house design by Charles Rennie Mackintosh and his wife, Margaret MacDonald. The house is situated in Glasgow's Bellahouston Park and sits east of the site of the Festival Tower of the Empire Exhibition, Scotland of 1938.
The Willow Tearooms are tearooms at 217 Sauchiehall Street, Glasgow, Scotland, designed by internationally renowned architect Charles Rennie Mackintosh, which opened for business in October 1903. They quickly gained enormous popularity, and are the most famous of the many Glasgow tearooms that opened in the late 19th and early 20th century.
The most famous of its buildings was designed by Charles Rennie Mackintosh in phases between 1896 and 1909. The eponymous Mackintosh Building soon became one of the city's iconic landmarks, of international fame. It is a pioneer of the Modern Style (British Art Nouveau style).
Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. [1] The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
John Honeyman allocated the job to his young, talented, trainee architect, Charles Rennie Mackintosh. The site was an awkward one, being on a corner plot and butted by tenements and a large warehouse. In keeping with their beliefs, the Free Church required simplicity in design.
Their most notable employee was Charles Rennie MacKintosh, who started as a draughtsman in April 1889 [1] and rose to partner level. The creation of the new Honeyman, Keppie and MacKintosh marked the next phase in the evolution of the practice which as Honeyman and Keppie existed from 1888 to 1904.
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