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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh. In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio [ 1 ] and A Town House for an Artist .
The Willow Tearooms are tearooms at 217 Sauchiehall Street, Glasgow, Scotland, designed by internationally renowned architect Charles Rennie Mackintosh, which opened for business in October 1903. They quickly gained enormous popularity, and are the most famous of the many Glasgow tearooms that opened in the late 19th and early 20th century.
The most famous of its buildings was designed by Charles Rennie Mackintosh in phases between 1896 and 1909. The eponymous Mackintosh Building soon became one of the city's iconic landmarks, of international fame. It is a pioneer of the Modern Style (British Art Nouveau style).
The building was constructed between 1989 and 1996 based on a 1901 Art Nouveau house design by Charles Rennie Mackintosh and his wife, Margaret MacDonald. The house is situated in Glasgow's Bellahouston Park and sits east of the site of the Festival Tower of the Empire Exhibition, Scotland of 1938.
Western façade of Charles Rennie Mackintosh's Glasgow School of Art.. The city is notable for architecture designed by Charles Rennie Mackintosh (1868–1928). Mackintosh was an architect and designer in the Arts and Crafts movement and the main exponent of Art Nouveau in the United Kingdom, designing Glasgow buildings such as the Glasgow School of Art, Willow Tearooms and the Scotland Street ...
Talwin Morris suggested Charles Rennie Mackintosh as the architect for Hill House, and Blackie, despite Mackintosh's youthfulness, was convinced after seeing other houses designed by him. Blackie had specific requirements for the construction, seeking grey rough-cast walls and a slate roof instead of traditional materials like bricks and wood ...
At the time, Charles Rennie Mackintosh was a senior assistant in the practice and his influence can be seen in the building, especially in the details. It was built largely of red sandstone, as were many of Glasgow’s public buildings of this period, and has many hints of Scotland’s architectural heritage. Inside there is a light central ...
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