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Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]
Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.
In 1904 it was transferred to the newly-opened Watts Gallery in Compton, Surrey, shortly before Watts's death later that year. [1] Two years prior to this, Watts had returned to the theme of creation with The Sower of the Systems , which for the first time in one of his works directly depicted God, and which he described as representing "a ...
The All-Pervading is an allegorical painting produced between 1887 and 1890 by the English artist George Frederic Watts.Influenced by the Sibyls of the Sistine Chapel ceiling, it symbolises the spirit Watts saw as governing "the immeasurable expanse".
Hope Second version of Hope, 1886 Artist George Frederic Watts Year 1886 (1886), further versions 1886–1895 Type Oil Dimensions 142.2 cm × 111.8 cm (56.0 in × 44.0 in) Location Tate Britain Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone ...
Mammon, originally exhibited as Mammon.Dedicated to his Worshippers, is an 1885 oil painting by English artist George Frederic Watts, currently in Tate Britain.One of a number of paintings by Watts in this period on the theme of the corrupting influence of wealth, Mammon shows a scene from Edmund Spenser's The Faerie Queene in which Mammon, the embodiment of greed, crushes the weak through his ...
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During the execution of the Watts Mortuary Chapel, Watts trained workers in clay modelling, an initiative that eventually led to the establishment of the Compton Potters' Guild in 1899. [10] She was a firm believer in the idea that anyone given the opportunity could produce things of beauty and that everyone should have a craft within which ...
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