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Robert Hayman's 1628 book Quodlibets devotes much of its text to epigrams. An epigram is a brief, interesting, memorable, sometimes surprising or satirical statement. The word derives from the Greek ἐπίγραμμα (epígramma, "inscription", from ἐπιγράφειν [epigráphein], "to write on, to inscribe"). [1]
Marcus Valerius Martialis (known in English as Martial / ˈ m ɑːr ʃ əl /; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman poet born in Hispania (modern Spain) best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan.
A xenia epigram is an epigram commemorating hospitality [2] or attached to a gift, sometimes represented in a xenia mosaic. Originally found in Latin literature, it was revived in the nineteenth century. The 13th book of Martial's epigrams is entitled Xenia, and catalogs the foods that might be given to a departing guest at the Saturnalia. [3]
The study of ancient handwriting, usually in ink, is a separate field, palaeography. [7] Epigraphy also differs from iconography, as it confines itself to meaningful symbols containing messages, rather than dealing with images. Arabesque epigraphy with various Maghrebi Arabic scripts in the Myrtle Court of the Alhambra.
Leonidas [a] of Alexandria (/ l i ˈ ɒ n ɪ d ə s,-d æ s /; Ancient Greek: Λεωνίδας; Latin: Leonidas Alexandrinus; fl. 1st century AD) was a Greek epigrammatist active at Rome during the reigns of Nero and Vespasian. Some of his epigrams are preserved in the Greek Anthology, and in one he lays claim to having invented the isopsephic ...
He received the laurel wreath many times, which is a symbol of continuous victory. Often at the end of a victorious game, fans threw him money. Eventually, he bought his freedom, becoming a libertus (freed slave). Martial, a Roman poet, refers to Scorpus twice in Book X of his Epigrams, composed between 95 and 98 AD: [1]
From Book IV of the Planudean Anthology, Epigrams on monuments, statues, etc. Neither did Praxiteles nor the chisel work thee, but so thou standest as of old when thou camest to judgment. Greek Anthology, xvi, 161. Also attributed to Plato the Younger. [7] From Book IV of the Planudean Anthology, Epigrams on monuments, statues, etc.
Marcus Argentarius (Ancient Greek: Μάρκος Ἀργεντάριος; fl. c. AD 60 [1]) was a Greek epigrammatist.. Some thirty-seven epigrams are attributed to Marcus in the Greek Anthology, most of which are erotic, and some are plays on words. [2]
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