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English riding is a form of horse riding seen throughout the world. There are many variations, but all feature a flat English saddle without the deep seat, high cantle or saddle horn that are part of a Western saddle nor the knee pads seen on an Australian Stock Saddle .
Margaret Winifred Tarrant (19 August 1888 – 29 July 1959) was an English illustrator, and children's author, specializing in depictions of fairy-like children and religious subjects. She began her career at the age of 20, and painted and published into the early 1950s.
Dress, appointments, riding style, and even the type of horse used are all judged against a formalized standard for an "ideal" appearance. The riding habit in such classes is the formal attire found in the hunting field, starting with a coat and apron. The apron used is based on the open-sided safety apron developed in the late 19th century.
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
Easter, [nb 1] also called Pascha [nb 2] (Aramaic, Greek, Latin) or Resurrection Sunday, [nb 3] is a Christian festival and cultural holiday commemorating the resurrection of Jesus from the dead, described in the New Testament as having occurred on the third day of his burial following his crucifixion by the Romans at Calvary c. 30 AD.
[4] [5] By way of the Germanic month bearing her name (Northumbrian: Ēosturmōnaþ, West Saxon: Ēastermōnaþ; Old High German: Ôstarmânoth), she is the namesake of the festival of Easter in some languages. The Old English deity Ēostre is attested solely by Bede in his 8th-century work The Reckoning of Time, where Bede states that during ...
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The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.