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At home, the Rizal ladies recovered a folded paper from the stove. On it was written an unsigned, untitled and undated poem of 14 five-line stanzas. The Rizals reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mí último pensamiento ...
El Consejo de los Dioses (English Translation: The Council of the Gods) is a play written in Spanish by Filipino writer and national hero José Rizal, first published in 1880 in Manila by the Liceo Artistico Literario de Manila in 1880, and later by La Solidaridad in 1883.
"Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God carried the protagonist.
In this poem, it is the Filipino youth who are the protagonists, whose "prodigious genius" making use of that education to build the future, was the "bella esperanza de la patria mía" (beautiful hope of the motherland). Spain, with "pious and wise hand" offered a "crown's resplendent band, offers to the sons of this Indian land."
The prologue for W.E. Retana’s book on Rizal was written by Javier Gómez de la Serna, while the epilogue was written by Miguel de Unamuno (1864–1936). Vida y Escritos del Dr. José Rizal is the first biographical account of the life of Rizal written by a non-Filipino author (the second is Rizal: Philippine Nationalist and Martyr by British ...
With the arrival of Spanish conquistadors, the social construction of women in the Philippines was soon influenced by historical Spanish Catholic gender norms. [1] [2] American historian Edward Gaylord Bourne wrote in his 1902 introduction to The Philippine Islands, 1493–1898 that the imposition of Christianity "elevated the status of women" in the country. [3]
Dr. Rizal says to Fr. Pastells, "I believe in revelation, yes, but in that living revelation of nature which surrounds us everywhere, in that potent voice, eternal, incessant, incorruptible, clear, distinct, universal like the Being from which it originates, in that revelation which speaks to us and penetrates us from the moment we are born ...
Apóstol wrote in English and Spanish, and composed poems that demonstrated his mastery of Spanish. He composed the poem Al Heroe Nacional (To the National Hero) which is dedicated to José Rizal. [1] In the book of poems, Pentélicas, he described landscapes evoking a vivid image. He died in Caloocan, Rizal.