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From left to right, saron panerus, saron barung, and demung, from STSI Surakarta. Sarons typically come in a number often sizes, from smallest to largest: Saron panerus (also: peking) Saron barung (sometimes just saron) Saron demung (often just called demung) Each one of those is pitched an octave below the previous.
Bonang barung is pitched one octave below the bonang panerus, and also generally covers two octaves, approximately the same range as the demung and saron combined. This is one of the most important instruments in the ensemble, as it gives many of the cues to other players in the gamelan.
A typical large, double gamelan in contemporary solo will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk ...
Saron: Indonesia Pitched 111.222 Idiophone Size from smallest to largest is Saron panerus, Saron barung, Saron demung. Scabellum: Ancient Rome Unpitched Often used by the aulos players Semantron: Both Idiophone Used to summon monastics to prayer Shekere: Brazil Burkina Faso Cuba, Gambia Guinea, Guinea-Bissau Ivory Coast Mali Senegal Unpitched ...
Imbal-imbalan (interlocking) refers to the playing technique in which bonang barung and bonang panerus play interlocking patterns." [ 3 ] One of the hallmarks of Yogyanese style, especially suited to the performance of loud-playing pieces, is the interlocking alternation of two demung parts, known as imbal demung . ...
Like the saron barung and demung, it generally plays the most basic form of the melody in a composition. [5] However it also sometimes uses techniques similar to the saron to elaborate. It is especially favored in quieter gamelan ensembles (such as Gamelan Gadhon ); but it is a part of standard Gamelan Gedhé as the only soft-style instrument ...
mediating ( between the 1st and 3rd subdivisions (bonang (gong-chimes), saron panerus(a loud metallophone); and; abstracting (balungan, "melodic abstraction")( with a 1-octave range), loud and soft metallophones (saron barung, demung, and slenthem); an outer circle, the structural group (gongs), which underlines the structure of the work;
Saron kecil, also known as saron barung (a set of metallophones) Saron besar, also known as saron demung (another set of metallophones, slightly bigger than saron kecil) Kenong (a set of 5 large kettle gongs) A pair of hanging gongs, which are gong kecil and gong besar; Gendang (a barrel drum)