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A round caisson in the imperial garden at the Forbidden City. The caisson (Chinese: 藻井; pinyin: zǎojǐng; lit. 'algae well'), also referred to as a caisson ceiling, or spider web ceiling, [1] in Chinese architecture is an architectural feature typically found in the ceiling of temples and palaces, usually at the centre and directly above the main throne, seat, or religious figure.
In traditional Chinese architecture, every facet of a building was decorated using various materials and techniques. Simple ceiling ornamentations in ordinary buildings were made of wooden strips and covered with paper. More decorative was the lattice ceiling, constructed of woven wooden strips or sorghum stems fastened to
Noted Santa Fe architect John Gaw Meem (1894-1983) incorporated ornamental vigas into many of his designs. Contemporary construction in Santa Fe, New Mexico , which is controlled by stringent building-codes , typically incorporates ornamental vigas, although the 2012 revision of the residential building-code gives credit for structural vigas. [ 4 ]
Pressed tin ceiling over a store entrance in Bellingham, Washington, U.S.A.. A tin ceiling is an architectural element, consisting of a ceiling finished with tinplate with designs pressed into them, that was very popular in Victorian buildings in North America in the late 19th and early 20th century. [1]
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
The common theme that often occurs in Balinese design is the tripartite divisions. [2] Traditional Balinese architecture, adheres to strict and sacred building laws, allowing much open space and consisting of a spacious courtyard with many small pavilions, ringed by walls to keep out evil spirits and decorated with guardian statues. [4]
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