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Phantograms, also known as Phantaglyphs, Op-Ups, free-standing anaglyphs, levitated images, and book anaglyphs, are a form of optical illusion.Phantograms use perspectival anamorphosis to produce a 2D image that is distorted in a particular way so as to appear, to a viewer at a particular vantage point, three-dimensional, standing above or recessed into a flat surface.
The technique in this portrait and in the "Mona Lisa" is called "sfumato," in which da Vinci blended colors and shades to get gradual transitions between different shapes in each painting.
Afterimage on empty shape (also known as color dove illusion) This type of illusion is designed to exploit graphical similarities. Ambiguous image: These are images that can form two separate pictures. For example, the image shown forms a rabbit and a duck. Ambigram: A calligraphic design that has multiple or symmetric interpretations. Ames ...
In addition to the gestalt principles of perception, water-color illusions contribute to the formation of optical illusions. Water-color illusions consist of object-hole effects and coloration. Object-hole effects occur when boundaries are prominent where there is a figure and background with a hole that is 3D volumetric in appearance.
For example, these can be in brightness or color, called intensive properties of targets, e.g. Mach bands. Or they can be in their location, size, orientation or depth, called extensive . When an illusion involves properties that fall within the purview of geometry it is geometrical–optical , a term given to it in the first scientific paper ...
Neon color spreading (also referred to as neon-like color spreading) is an optical illusion in the category of transparency effects, characterized by fluid borders between the edges of a colored object and the background in the presence of black lines. The illusion was first documented in 1971 and was eventually rediscovered in 1975 by Van Tuijl.
Although op art is a unique style, it has similarities with styles such as abstract expressionism (color field painting). Although color field painting does not give us illusions, similarities can still be found. We can see that both of these styles are minimalist, only a few colors prevail, and no object or plot is shown.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
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