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[1] [2] Influenced by literary realism and the naturalist movements in literature and theatre, chanson réaliste dealt with the lives of Paris's poor and working-class. [3] [4] [5] Chanson réaliste was a musical style that was mainly performed by women; [3] [6] some of the more commonly known performers of the genre include Édith Piaf and ...
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
In the late twentieth century, the term Neoromanticism came to suggest a music that imitated the high emotional saturation of the music of (for example) Schumann [ Romanticism], but in the 1920s it meant a subdued and modest sort of emotionalism, in which the excessive gestures of the Expressionists were boiled down into some solid residue of ...
Giacomo Puccini, one of the composers most closely associated with verismo. Cavelleria Rusticana, considered the first Verismo opera Pagliacci is a famous Verismo opera. In opera, verismo (Italian for 'realism'), from vero, meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and ...
Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
Liszt was noted for his romantic realism, free tonality, and program-music as an adherent of the New German School. [19] Historians also cite how totalitarian dictators choose romantic realism as the music for the masses. [20] It is said that Adolf Hitler favored Parsifal while Joseph Stalin liked Wolfgang Amadeus Mozart's piano concertos. [20]
Stalin applied the notion of socialist realism to classical music. Maxim Gorky first introduced socialist realism in a literary context in the early 20th century. Socialist realism demanded that all mediums of art convey the struggles and triumphs of the proletariat. It was an inherently Soviet movement: a reflection of Soviet life and society. [4]