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John Ainsworth Dunn (November 2, 1831, in Westminster, Massachusetts – 1915) was an American furniture maker. He was the ninth child of John and Abigail (Jackson) Dunn. In 1837, his family moved to Petersham, Massachusetts. He began what was to become his lifelong career in chair manufacturing in 1852.
Furniture conservation and restoration can be divided into two general areas: structure and finish. Structure generally relates to wood and can be divided into solid, joined, and veneered wood. The finish of furniture can be painted or transparent. [1] Furniture has existed throughout all the years of human existence.
Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1]The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
There are many techniques used in monoprinting, including collagraph, collage, hand-painted additions, and a form of tracing by which thick ink is laid down on a table, paper is placed on the ink, and the back of the paper is drawn on, transferring the ink to the paper. Monoprints can also be made by altering the type, color, and viscosity of ...
The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
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Mission style is a design that emphasizes simple horizontal and vertical lines and flat panels that accentuate the grain of the wood (often oak, especially quartersawn white oak). People were looking for relief after the excesses of Victorian times and the influx of mass-produced furniture from the Industrial Revolution. [2]