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Henrietta Maria wears the formal English court costume of a gown with short open sleeves over a matching bodice with virago sleeves and a simple petticoat, 1632. Henrietta Maria wears a white satin tabbed bodice with full sleeves trimmed with silver braid or lace and a matching petticoat. Her bodice is laced up with a coral ribbon over a stomacher.
Infanta Catalina Micaela of Spain wears an entirely black gown with lace collar and cuffs, with white inner sleeves trimmed with gold embroidery or applied braid. Her jewellery includes a double string of pearls, a necklace, worked golden buttons and a belt. Elizabeth Brydges, aged 14, wears a black brocade gown over a French farthingale. The ...
Rich silk weaves, such as satin, taffeta, and velvet created luxurious gowns. In the 18th century, formal dress started as the mantua, but later developed into the elaborate sack-back gown. The farthingale, popular during the 16th/17th centuries, evolved into the pannier to give dresses and skirts extra volume and the desired court silhouette.
His overgown has puffed upper sleeves and a black (probably fur) lining. His shoes have squarish toes and reach high over his instep, 1532–33. Jean de Dinteville, French ambassador to England, wears a fur-lined calf-length overgown over a black jerkin and a slashed doublet of rose-colored silk. His shoes are very square at the toes, 1533.
Note that the sleeve is only attached to the dress at the top, 1467–1471. Maria Portinari wears a truncated cone hennin with a veil draped over the back. The black loop on her forehead is thought to be part of the wire frame that balances the hennin.
The unidentified tailor in Giovanni Battista Moroni's famous portrait of c. 1570 is in doublet and lined and stuffed ("bombasted") hose.. A doublet (/ ˈ d ʌ b l ɪ t /; [1] derived from the Ital. giubbetta [2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body.
Portrait shows Alexander von Humboldt in formal dress, 1843. The Duke of Beaufort wears a dark coat and breeches with a deep red waistcoat. His black cravat is fastened with a stick pin, and he wears heeled boots in 1845. Alexandre Cabanel wears his cravat loosely tied and secured with a stickpin, 1847. 1847 fashion plate
Black tie became de-facto evening wear with white tie reserved for only the most formal events. [9] In Britain, black tie became acceptable as a general informal alternative to white tie, though at the time the style and accessories of black tie were still very fluid. In the 1920s men began wearing wide, straight-legged trousers with their suits.
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