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Her split-sleeved dress in the Spanish fashion is trimmed with wide bands of braid or fabric, 1609. Mary Radclyffe in the very low rounded neckline and closed cartwheel ruff of c.1610. The black silk strings on her jewelry were a passing fashion. Anne of Denmark wears mourning for her son, Henry, Prince of Wales, 1612. She wears a black wired ...
Sleeves were bell- or trumpet-shaped, and caught up at the elbow to show the frilled or lace-trimmed sleeves of the shift beneath. Sleeves became narrower as the period progressed, with a frill at the elbow, and elaborate separate ruffles called engageantes were tacked to the shift sleeves, in a fashion that would persist into the 1770s.
Her high-necked black gown with split hanging sleeves is trimmed in bows with single loops and metal tags or aiglets, and she carries a jewelled flea-fur on a chain. Portrait of Elsbeth Lochmann in modest German style: she wears a light-colored petticoat trimmed with a broad band of dark fabric at the hem, with a brown bodice and sleeves and an ...
French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette. After reaching their maximum size in the 1750s, hoop skirts began to reduce in size, but remained being worn with the most formal dresses, and were sometimes replaced with side-hoops, or panniers. [1]
Princess di Sant' Antimo's gown of watered silk shows the short sleeves, lace flounce collar, and long pointed waist of the early 1840s. The tiny pleats that gather her skirt can be seen at the waistline. 1840–1844. Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists.
Elizabeth Seymour wears a black satin gown with full sleeves and black velvet partlet. Her cuffs have floral blackwork embroidery, 1540–41. Lady Margaret Butts wears a high-necked chemise with a band of blackwork at the neck. The lappets on her gable hood are solid black, and she has a fur piece draped around her shoulders, 1543.
Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
Traditional formal headgear for men is the top hat, and for women picture hats etc. of a range of interpretations. Shoes for men are dress shoes, dress boots or pumps and for women heeled dress pumps. In western countries, a "formal" or white tie dress code typically means tailcoats for men and evening dresses for women.
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