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September 28, 1947. (1947-09-28) (aged 58) Manila, Philippines. Genres. Kundiman, Classical Music. Occupation (s) Composer, Pianist. Francisco Santiago Santiago (January 29, 1889 – September 28, 1947) was a Filipino musician, sometimes called The Father of Kundiman Art Song.
Nicanor Abelardo was born in San Miguel de Mayumo, Bulacan to Valentin Abelardo and Placida Santa Ana, on February 7, 1893 [1] His mother belonged to a family of artists in Guagua, the Henson. He was introduced to music when he was five years old when his father taught him the solfeggio, the bandurria, and the guitar at 6.
Manila sound. Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM.
horn. piano. Musical artist. Felipe Padilla de León (May 1, 1912 – December 5, 1992) was a Filipino Romantical music composer, conductor, and scholar. He was known for composing different sonatas, marches and concertos that reflect the Filipino identity. [3]
S. Lea Salonga (born 1971) Gerard Salonga (born 1973) Lucio D. San Pedro (1913–2002) Francisco Santiago (1889–1947) Jesús Manuel Santiago. Ramon Santos (born 1941) Vehnee Saturno (born 1954) Aiza Seguerra (born 1983)
Quezon City, Philippines. Occupation (s) composer, pianist, conductor. Instrument. piano. Order of National Artists of the Philippines. José Montserrat Maceda (31 January 1917 – 5 May 2004) was a Filipino ethnomusicologist and composer. [1] He was named a National Artist of the Philippines for Music in 1998. [2]
Lucio Diestro San Pedro, Sr. (February 11, 1913 – March 31, 2002) was a Filipino composer and teacher who was proclaimed a National Artist of the Philippines for Music in 1991. [3] Today, he is remembered for his contribution to the development of Filipino regional band music [4] and for his well-known compositions such as the Filipino ...
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.