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Reality is the sum or aggregate of all that is real or existent within the universe, as opposed to that which is only imaginary, nonexistent or nonactual. The term is also used to refer to the ontological status of things, indicating their existence. [1] In physical terms, reality is the totality of a system, known and unknown. [2]
Metaphysics is the study of the most general features of reality, including existence, objects and their properties, possibility and necessity, space and time, change, causation, and the relation between matter and mind. It is one of the oldest branches of philosophy. [1][a] The precise nature of metaphysics is disputed and its characterization ...
Hoffman offers the "fitness beats truth theorem" [58] as mathematical proof that perceptions of reality bear little resemblance to reality's true nature. [59] From this he concludes that our senses do not faithfully represent the external world. Even if reality is an illusion, Hoffman takes consciousness as an indisputable fact.
The relative reality (i.e., the illusory perceived reality) comes from our belief that human life is separate from the rest of the things in the universe and, at times, at odds with the processes of nature and other beings. The ultimate or absolute reality, in some schools of Buddhist thought, shows that we are inter-connected with all things.
Platonism. In philosophy and specifically metaphysics, the theory of Forms, theory of Ideas, [1][2][3] Platonic idealism, or Platonic realism is a theory widely credited to the Classical Greek philosopher Plato. The theory suggests that the physical world is not as real or true as "Forms". According to this theory, Forms—conventionally ...
Idealism in philosophy, also known as philosophical idealism or metaphysical idealism, is the set of metaphysical perspectives asserting that, most fundamentally, reality is equivalent to mind, spirit, or consciousness; that reality is entirely a mental construct; or that ideas are the highest type of reality or have the greatest claim to being considered "real".
The concept of the Void has had a profound influence on both art and literature, where it is often used to explore themes of emptiness, the unknown, and the boundaries of human experience. Through visual and literary expressions, the Void becomes a metaphor for existential questions, psychological states, and the nature of reality itself.
It is either an ontological feature of reality, a meditative state, or a phenomenological analysis of experience. In Theravāda Buddhism, Pali: suññatā often refers to the non-self (Pāli: anattā, Sanskrit: anātman) [note 1] nature of the five aggregates of experience and the six sense spheres.