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A prude is a person with a very sensitive attitude and narrowness towards custom and morality. [1] [2] The word prude comes from the Old French word prudefemme also prodefemme meaning loyal, respectable or modest woman, [3] which was the source of prude in the 18th century. [1]
Between 1780 and 1850 the English ceased to be one of the most aggressive, brutal, rowdy, outspoken, riotous, cruel and bloodthirsty nations in the world and became one of the most inhibited, polite, orderly, tender-minded, prudish and hypocritical. [1] Historians continue to debate the various causes of this dramatic change.
Peter Fryer's book Mrs Grundy: Studies in English Prudery concerns prudish behaviour, such as the use of euphemisms for underwear. Jack London uses Mrs Grundy in his books The People of the Abyss and The Sea-Wolf. In the former he describes the early twentieth century attitude of the English working class towards drunkenness: "Mrs Grundy rules ...
This page was last edited on 6 April 2019, at 16:45 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
There is an 18th-century English play by Thomas Morton called Speed the Plough, which introduced the character of the prudish Mrs. Grundy. In George Meredith's novel The Ordeal of Richard Feverel, the young protagonist, running away from home, encounters two peasants discussing their experiences, the Tinker and Speed-the-Plow. Describing them ...
One factor in ignoring the code was the fact that some found such censorship prudish, owing to the libertine social attitudes of the 1920s and early 1930s. This was a period in which the Victorian era was sometimes ridiculed as being naïve and backward. [49]
During the Victorian era, romance was increasingly viewed as a key component of sexuality. [1] One study of the interwar period suggests that prudish attitudes were more pronounced among women than among men, with 47% in a poll describing premarital sex as wicked while only 28% of men said the same. [2]
The title of the magazine was a satirical reference to off our backs, a long-running feminist newspaper that published the work of many anti-pornography feminists during the 1980s, and which the founders of On Our Backs considered prudish about sexuality.