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The frilka is characterized as an open-ended notched flute. It is a pipe of approximately a 20 cm (8 inches) in length. It is a pipe of approximately a 20 cm (8 inches) in length. One end is sharpened and the breath is broken against one of the sides of the tube at the playing end.
The frula is a small wooden flute with six holes. [5] In rural Southeast Europe, the frula was played by shepherds while tending their flocks. [5] It is a traditional instrument of Serbia, [6] one of several aerophones used for leisure time, rituals, or accompanying the kolo (circle dance), along with long flutes (duduk, cevara), the double flute (dvojnice), and the bag-pipe ().
Music can provide many psychological benefits including stress reduction, improved memory, and general improvement to cognitive performance. [3] Research shows that the activity of listening to music can aid individuals in detaching from their surroundings [ clarification needed ] and help them focus on their own thoughts and actions. [ 4 ]
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Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
It is scored for solo flute and strings [1] [2] and was premièred on 24 January 1950 by soloist Jean-Pierre Rampal. [3] Jolivet wrote a concerto for flute and percussion in 1965. [4] The work lasts about 13 minutes. [3] It is now part of the standard flute repertoire and several prominent flautists have recorded it.
A video recording of Bolling and Rampal playing the Suite was recorded in 1976 at the Palace of Versailles in France, and was released on LaserVision video disc and on videotape. Eventually, under the title, Suite for Flute and Jazz Piano Trio , digital CD and DVD versions of the respective audio and video recordings were also released.
The work contains a number of Celtic music influences. In the program notes to the score, Rouse commented on the particularly Irish influences, saying:. The first and last movements bear the title 'Amhrán' (Gaelic for 'song') and are simple melodic elaborations for the solo flute over the accompaniment of orchestral strings.
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