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Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
His major contribution to musical expressionism, however, were very late examples, the operas Wozzeck, composed between 1914 and 1925, and unfinished Lulu. [17] Wozzeck is highly expressionist in subject material in that it expresses mental anguish and suffering and is not objective, presented, as it is, largely from Wozzeck's point of view ...
Meyer studied at Columbia University, where he received a B.A. in Philosophy and an M.A. in Music. [2] He continued at University of Chicago, where he was awarded a Ph.D. in History of Culture in 1954. As a composer, he studied under Stefan Wolpe, Otto Luening, and Aaron Copland.
The same music could be associated with a wide range of emotional responses in the listener. Chabanon rejected the rhetorical approach to music, because he did not believe that there was a simple correspondence between musical characteristics and emotional affects. Much subsequent philosophy of music depended on Chabanon's views. [9]
Formalism may refer to: Legal formalism, legal positivist view that the substantive justice of a law is a question for the legislature rather than the judiciary; Formalism (linguistics) Scientific formalism; Formalism (philosophy), that there is no transcendent meaning to a discipline other than the literal content created by a practitioner
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical ...
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Musical era (or period) – distinct time frame in the history of music characterized by specific styles, practices, and conventions. Each period reflects the cultural, social, and political contexts of its time. The following is an overview of the stylistic movements within each period.