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"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
According to biographer Clinton Heylin this song: "signalled a return to the religious and spiritual preoccupations that had driven Morrison's work throughout the eighties, the image of the Rough God being derived from Robin Williamson's 'Mr. Thomas' — recorded by Morrison for Inarticulate — in which 'the rough God goes riding with his shears', a reference to the avenging Messiah who shall ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
"Goodness of God" is a song by Bethel Music and Jenn Johnson, which was released as the third single from Bethel Music's eleventh live album, Victory (2019), on November 1, 2019. [1] The song was written by Ed Cash , Ben Fielding, Jason Ingram , Brian Johnson and Jenn Johnson. [ 2 ]
"It's a Sin to Tell a Lie" is a 1936 popular song written by Billy Mayhew, [1] introduced early that year on records by many dance bands including Dick Robertson on the 78rpm record Champion 40106, and later popularized by Fats Waller on Victor 25342 [2] and re-issued on Victor 20-1595. [3]
The song opens with a guitar played to sound like a revving motorcycle. Roy Bittan's piano begins to play along with the guitars and drums. The vocals begin at the 1:50 point. The opening vocals are accompanied by piano and backing vocals. The song then becomes much louder as the band, predominantly piano, plays the main melody for twenty seconds.
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"Don't You Lie to Me" (sometimes called "I Get Evil" [1]) is a song recorded by Tampa Red in 1940. [2] It became popular with blues artists, leading it to become a blues standard . [ 3 ] The song was also interpreted by rock and roll pioneers Fats Domino and Chuck Berry .