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The earliest mention of the word chungong is found in the Chu Ci, but the word only began to mean erotic paintings from the Song dynasty. [7] [3]The first known record of the tradition of erotic art, however, dates back to 2nd century B.C. Chen ping of the Han Dynasty, and Guangchuanwang were said to have enjoyed drawing erotic art.
The "Six principles of Chinese painting" were established by Xie He, a writer, art historian and critic in 5th century China, in "Six points to consider when judging a painting" (繪畫六法, Pinyin: Huìhuà Liùfǎ), taken from the preface to his book "The Record of the Classification of Old Painters" (古畫品錄; Pinyin: Gǔhuà Pǐnlù ...
A rich source of art in early China was the state of Chu, which developed in the Yangtze River valley. Excavations of Chu tombs have found painted wooden sculptures, jade disks, glass beads, musical instruments, and an assortment of lacquerware. Many of the lacquer objects are finely painted, red on black or black on red.
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
Wang was born in Taicang in the Jiangsu province [2] and tutored in painting by his grandfather Wang Shimin (1592–1680). [3] His style name was 'Mao-ching' and his sobriquet was 'Lu-t'ai'. Wang is a member of the Six Masters of the early Qing period, also known as the 'Four Wangs, a Wu and a Yun'. They are also often regarded as the principal ...
Countries along the Silk Road enriched the Tang dynasty with arts and ideas that could be incorporated into ceramic paintings. On the one hand, it imbibed Persian and Central Asian artistic elements, and on the other, it used those elements in its ceramic paintings to spread Chinese arts and painting styles to different parts of the world. [14]
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