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Compositions created specially for funeral use or as a memorial to a deceased person or persons. Settings of the requiem mass can be found in that subcategory. Subcategories
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Beginning in the 18th century and continuing through the 19th, many composers wrote what are effectively concert works, which by virtue of employing forces too large, or lasting such a considerable duration, prevent them being readily used in an ordinary funeral service; the requiems of Gossec, Berlioz, Verdi, and Dvořák are essentially ...
A funeral march (marche funèbre in French, marcia funebre in Italian, Trauermarsch in German, marsz żałobny in Polish), as a musical genre, is a march, usually in a minor key, in a slow "simple duple" metre, imitating the solemn pace of a funeral procession.
The funeral of Queen Mary II (30 April 1662 – 28 December 1694) in Westminster Abbey was not until 5 March 1695. Purcell composed a setting of the sixth of the seven sentences of the Anglican Burial Service ("Thou Knowest Lord", Z. 58C) for the occasion, together with the March and Canzona, Z. 780. [1]
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson .
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It should only contain pages that are Funeral for a Friend songs or lists of Funeral for a Friend songs, as well as subcategories containing those things (themselves set categories). Topics about Funeral for a Friend songs in general should be placed in relevant topic categories .