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The Rolling Stones No. 2 is the second studio album by the English rock band the Rolling Stones, released in 1965 following the success of their 1964 debut album The Rolling Stones. It contains three compositions from the still-developing Mick Jagger/Keith Richards songwriting team, with all the other songs being covers of American R&B and rock ...
Off the Hook (compilation album), in the Now That's What I Call Music! series, 2002; Off the Hook (Xscape album), 1995 "Off the Hook" (Hardwell and Armin van Buuren song), 2015 "Off the Hook" (Jody Watley song), 1998 "Off the Hook", a song by CSS from Cansei de Ser Sexy, 2005 "Off the Hook", a song by the Rolling Stones from The Rolling Stones ...
The Rolling Stones (UK) England's Newest Hit Makers (US) Nanker Phelge [a] Jagger "Off the Hook" 1964 1965 The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Jagger/Richards Jagger "Oh, Baby (We Got a Good Thing Going)" 1964 1965 Out of Our Heads (UK) The Rolling Stones, Now! (US) Barbara Lynn Ozen: Jagger "Oh No, Not You Again" 2005 ...
It noted "The Rolling Stones, Now! is their first consistently great LP, with the mean 'Heart of Stone,' the funky 'Off the Hook,' and the Leiber-Stoller oldie 'Down Home Girl ' ". [7] The magazine also ranked it at number 180 on the list of the 500 Greatest Albums of All Time .
The Rolling Stones' fifth UK single, a cover of Willie Dixon's "Little Red Rooster"—with "Off the Hook", credited to Nanker Phelge, as the B-side—was released in November 1964 and became their second number 1 hit in the UK. [64] The band's US distributors, London Records, declined to release "Little Red Rooster" as a single.
US: The Rolling Stones, Now! "Off the Hook" UK: The Rolling Stones No. 2 US: The Rolling Stones, Now! 1 — — — 14 4 21 2 — — Dec 1964 "Heart of Stone" UK: Out of Our Heads US: The Rolling Stones, Now! "What a Shame" UK: The Rolling Stones No. 2 US: The Rolling Stones, Now! — 19 16 15 — 6 24 5 15 — Jan 1965 "Route 66" UK: The ...
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[70] Music writer Robert Christgau described it as an "anarchic reading" of the Stones' original. [71] Redding's soul-style arrangement featured horns playing the main riff, [72] as Keith Richards had originally intended. In 2003, Ronnie Wood noted that the Rolling Stones' later concert renditions of the number reflect Redding's interpretation ...