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Cement tiles are made by hand, one at a time, using mineral pigments, cement, a mold, and an hydraulic press. The metal mold is handmade following specific design drawings. The pigment composition is a mixture of high-quality white Portland cement, marble powder, fine sand, and natural mineral colour pigments.
The base color is the primary color used in stamped concrete. The base color is chosen to reflect the color of the natural building material. The base color is produced by adding a color hardener to the concrete. Color hardener is a powder pigment used to dye the concrete. The color hardener can be applied using one of two procedures; integral ...
Stamped concrete in various patterns, highlighted with acid stain. Decorative concrete is the use of concrete as not simply a utilitarian medium for construction but as an aesthetic enhancement to a structure, while still serving its function as an integral part of the building itself such as floors, walls, driveways, and patios.
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used. One who produces paintings is called a ...
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
Pigments for sale at a market stall in Goa, India. A pigment is a powder used to add color or change visual appearance. Pigments are completely or nearly insoluble and chemically unreactive in water or another medium; in contrast, dyes are colored substances which are soluble or go into solution at some stage in their use.
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Mixing pigments for the purpose of creating realistic paintings with diverse color gamuts is known to have been practiced at least since Ancient Greece.The identity of a/the set of minimal pigments to mix diverse gamuts has long been the subject of speculation by theorists whose claims have changed over time, for example Pliny's white, black, one or another red, and "sil", which might have ...
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