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Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac. [3]
Concerto No. 2 in D major for 2 violins and orchestra, H. 329; Karl Marx: Concerto for 2 violins and orchestra; Wolfgang Amadeus Mozart: Concertone in C major for 2 violins and orchestra, K. 190; Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra; Arvo Pärt: Tabula Rasa for 2 violins, prepared piano and string orchestra
(a) Elastic scoring, from 2–4 instruments to orchestra (b) Orchestra, organ and piano 1926–41 1930–31, 1950 Other versions of individual numbers [5] [24] "David of the White Rock" Unspecified voice, piano 1954 1963 [9] [27] "Ramble on The Last Love Duet" Unknown Solo piano 1927 ? Transcribed from a theme based on Richard Strauss' Der ...
Parademarsch No. 2: 223: 58 — 1909: opera: Elektra, tragedy in one act 224 — 103: 1909: fanfare: Feierlicher Einzug der Ritter des Johanniterordens for brass and timpani 227: 59 — 1911: opera: Der Rosenkavalier, opera in three acts 228: 60 — 1912: opera: Ariadne auf Naxos, opera in one act 228c: 60 — 1918: orchestral: Le bourgeois ...
This is a discography of Der Rosenkavalier, [1] [2] [3] an opera in three acts with music by Richard Strauss to a German-language libretto by Hugo von Hofmannsthal. Der Rosenkavalier was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt.
This work, a Suite in B-flat, became Strauss's debut as a conductor in 1884 when Bülow informed him that he would lead the Meiningen orchestra in it without the benefit of a rehearsal. The following year, Strauss became assistant conductor of the Meiningen orchestra, attending all of Bulow's rehearsals with pencil and paper in hand.
Vienna in 1609, drawn in 1609 by Jacob Hoefnagel and recolored in 1640 by Claes Jansz Visscher. Schmelzer was born in Scheibbs, Lower Austria.Nothing is known about his early years, and most of the surviving information about his background was recounted by the composer himself in his petition for ennoblement of 1673.
2 violins, viola, cello, double bass Arap Petra Velikogo/Der Mohr Peter des Grossen (opera) 1949–1961: Anathema/Motette: 1951: Tenor, baritone, bass, men's chorus, 2 oboes, 2 bassoons, 2 trumpets, 2 trombones Postcommunion: 1952: 5 women's voice a cappella The Mime: 1956: Clarinet Sunrise: 1956: Flute The Flute of Pan: 1957: Flute Iva/Die ...