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J.D.s zines as a part of the wider queercore movement was an offspring of the musical punk rock scene and reflected anti-corporate ideologies, visuals, and textual choices. [16] Fanzines such as the Homocore series took influence from the punk and GLBTQ subcultures and credited the wider queercore movement with inspiring them to begin publishing.
British punk fanzines from the 1970s. A punk zine (or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Punk visual art is artwork associated with the punk subculture and the no wave movement. It is prevalent in punk rock album covers, flyers for punk concerts and punk zines, but has also been prolific in other mediums, such as the visual arts, the performing arts, literature and cinema. [1]
Damage - officially Damage: An Inventory - was a punk fanzine from San Francisco, California. There were 13 issues, from July 1979 to June 1981, appearing roughly every two months. It was printed on 11-1/2 x 17-3/4″ newsprint. Issues were generally 36 to 48 pages long. Its editor was Brad Lapin.
Flipside, known as Los Angeles Flipside Fanzine, was a punk zine published in Whittier and Pasadena, California, from 1977 to 2002.The magazine was associated with its own record label, Flipside Records, releasing vinyl records and compact discs beginning in 1978.
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Capitol Crisis was a fanzine from the Washington, D.C. punk scene created by musician and disc jockey, Xyra Harper. [1] [2] [3] The zine published five issues from November 1980 to May 1981 and was part of the foundation for D.C.'s emerging punk music scene. [4]
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