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Some members of the ideal Sangha are not ordained; some monastics have yet to acquire the Dharma-eye. [14] Unlike the present Sangha, the original Sangha viewed itself as following the mission laid down by the Master, viz, to go forth "…on tour for the blessing of the manyfolk, for the happiness of the manyfolk out of compassion for the world ...
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The Buddha told Avalokiteśvara, "Kṣitigarbha Bodhisattva has great affinity with [the sentient beings of] Jambudvīpa . To state all the ways that sentient beings can benefit from seeing his images, hearing his name, and worshipping him, it cannot be completed even after hundreds of thousands of kalpas.
The Dharma, the Buddhist teachings expounded by the Buddha; The Sangha, the monastic order of Buddhism that practices and preserves the Dharma. In this, it centres on the authority of a Buddha as a supremely awakened being, by assenting to a role for a Buddha as a teacher of both humans and devās (heavenly beings). This often includes other ...
It has a specialized use in a few Buddhist Sanskrit texts, where it means 'vessel' or 'jar,' and this image of 'something that contains' is evoked several times within the sutra, when Buddha calls the Sanghāta a 'treasury of Dharma.'
In the Sōtō school in the United States, lay initiates take refuge in the Three Jewels (or Three Refuges--Buddha, Dharma and Sangha), the Three Pure Precepts (to do no harm, to do only good, and to do good for others) and the Five Grave Precepts--Affirm life: do not kill; Be giving: do not take what is not freely given; Honor the body: do not ...
Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
[35] [36] The final period of the Buddha's life also shows that Ānanda is still very much attached to the Buddha's person, and he witnesses the Buddha's passing with great sorrow. [37] Shortly after the Buddha's death, the First Council is convened, and Ānanda manages to attain enlightenment just before the council starts, which is a ...