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Gloria in excelsis Deo is an example of the psalmi idiotici ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron . [ 4 ]
Gloria in excelsis Deo (Glory to God in the Highest), BWV 191, is a church cantata written by the German Baroque composer Johann Sebastian Bach, and the only one of his church cantatas set to a Latin text.
"Angels We Have Heard on High" is generally sung to the hymn tune "Gloria", a traditional French carol as arranged by Edward Shippen Barnes.Its most memorable feature is its chorus, "Gloria in excelsis Deo", where the "o" of "Gloria" is fluidly sustained through 16 notes of a rising and falling melismatic melodic sequence.
Rutter, who composed many works to celebrate Christmas, wrote his own text for Angels' Carol, beginning "Have you heard the sound of the angel voices". [1] The text alludes to several aspects of the Christmas story, with the Latin refrain "Gloria in excelsis Deo" from the angels' song mentioned in the Gospel of Luke narration of the annunciation to the shepherds.
A translation of Gloria in excelsis Deo into English, which has spawned different versions with different melodies and lyrics; A remake of Michael Row the Boat Ashore, with different lyrics but the same melody
The Gloria in excelsis Deo, also called the Greater Doxology, is a hymn beginning with the words that the angels sang when the birth of Christ was announced to shepherds in Luke 2:14. Other verses were added very early, [ citation needed ] forming a doxology.
The list has hymns in Latin and English. A A Message Came to A Maiden Young [1] ... Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus ...
The hymn is thus one of a series that have drawn on that text, including Angels We Have Heard on High, Angels from the Realms of Glory, While Shepherds Watched Their Flocks, and, by far the most ancient, the Greater Doxology or Gloria in Excelsis Deo. The music is attributed to F.A. Schultz, of whom little is known except for references by ...