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Many notable bands originally went by different names before becoming successful. [1] This list of original names of bands lists former official band names, some of them are significantly different from the eventual current names. This list does not include former band names that have only minor differences, such as stylisation changes, with ...
Early punks believed that hollow greed had destroyed American music, and hated the perceived bombasity and arrogance of the biggest bands of the 1970s. It arose in London and New York, with numerous regional centers by the end of the decade when acts like Ramones and Patti Smith saw unprecedented success for their defiantly anti-mainstream genre.
Pages in category "Musical groups established in the 1800s" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. H.
The American Wind Band: A Cultural History. GIA Publications. ISBN 1-57999-467-9. Hester, Karlton E. (2004). Bigotry and the Afrocentric Jazz Evolution. Global Academic Publishing. ISBN 1-58684-228-5. Klitz, Brian (June 1989). "Blacks and Pre-Jazz Instrumental Music in America". International Review of the Aesthetics and Sociology of Music. 20 (1).
Solo performers in blackface were well known by the middle of the 19th century. Similar parodies of Africans had been popular during the late 18th century in England, and they spread across the Atlantic through the efforts of comedians like Charles Mathews, Thomas Rice and George Washington Dixon.
These Europeans were of English, Scots-Irish, German, and Huguenot origin. This settlement occurred primarily from 1775 to 1850. English, Anglo-Irish, and Border Scottish tunes and ballads continued evolving from their distant roots along the Appalachians, eventually forming the major basis for jug bands , country blues , hillbilly music and a ...
The American Wind Band: A Cultural History. GIA Publications. ISBN 978-1-57999-467-9. Hester, Karlton E. (2004). Bigotry and the Afrocentric Jazz Evolution. Global Academic Publishing. ISBN 978-1-58684-228-4. Klitz, Brian (June 1989). "Blacks and Pre-Jazz Instrumental Music in America". International Review of the Aesthetics and Sociology of Music.
W. C. Handy's band makes some of the earliest major recordings by African American artists at a session for the Columbia Phonograph Company. [264] The most famous riverboat bandleader of the early jazz era, Fate Marable, forms his first band. He will play with a wealth of well-remembered recording artist, though he will only play on one record ...