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J. R. R. Tolkien was an English author and philologist of ancient Germanic languages, specialising in Old English; he spent much of his career as a professor at the University of Oxford. [4] He is best known for his novels about his invented Middle-earth, The Hobbit and The Lord of the Rings.
Tolkien enjoyed medieval works like Fastitocalon, and often imitated them in his poetry, in this case in a poem of the same name.French manuscript, c. 1270. J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings, both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth novels where he embodied a wide range of medieval ...
The medievalist Marjorie Burns writes that "J.R.R. Tolkien's Middle-earth is conspicuously and intricately northern in both ancient and modern ways." [4] She cites a letter to the classics scholar Rhona Beare, where Tolkien wrote that he had not invented the name "Middle-earth", as it had come from "inhabitants of Northwestern Europe, Scandinavia, and England".
His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" [T 2] led him to construct not only stories but a fully-formed world, Middle-earth, with languages, peoples, cultures, and ...
Now, with J.R.R. Tolkien's birthday approaching on January 8, it's time for a whole new generation of fans to discover Middle-earth. If you haven’t read the series, how I envy you! Newcomers are ...
Middle-earth is strongly influenced by the Old English poem Beowulf. Tolkien made extensive use of the poem in his Middle-earth writings, not least for his boldly Anglo-Saxon Riders of Rohan. One aspect of paganism, the Northern courage so prominent in Beowulf, [T 7] appears as a central virtue in The Lord of the Rings.
The Axe of Tuor, called Dramborleg (Gnomish: Thudder-Sharp) [30] in The Book of Lost Tales, is the great axe belonging to Tuor, son of Huor in Unfinished Tales of Númenor and Middle-earth [1] that left wounds like "both a heavy dint as of a club and cleft as a sword". [30] It was later held by the Kings of Numenor, until lost in the downfall ...
The lives of the characters in J. R. R. Tolkien's world of Middle-earth appear variously to be driven by luck or by fate.This is arranged in such a way that the characters' free will is never compromised; they must rely on their own courage, just like Old English heroes like Beowulf and figures from Norse mythology.