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The lyrics of the hymns are theologically mindful of a tension between China's political realities and aspirations of Chinese Christians. These thoughts are reflected on the Second Coming of Jesus and there is a strong eschatological current. [24] Early hymns in particular focused on the theme of overcoming hardships. [21]
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
Their term for God was Zhēnzhǔ (真主, literally "Veritable Majesty," "True Lord," or "Lord of Truth."). [8] In a hymn supposed to be composed by Lü Dongbin, the Christian God is denominated by the term Tiānzhǔ (天主, literally, "Lord of Heaven"), 800 years before Matteo Ricci and his companions. [9]
Restored Mogao Christian painting, possibly a representation of Jesus Christ.The original work dates back to the 9th century. The Jingjiao Documents (Chinese: 景教經典; pinyin: Jǐngjiào jīngdiǎn; also known as the Nestorian Documents or the Jesus Sutras) are a collection of Chinese language texts connected with the 7th-century mission of Alopen, a Church of the East bishop from ...
Xinxin Ming (alternate spellings Xin Xin Ming or Xinxinming) (Chinese: 信心銘; Pīnyīn: Xìnxīn Míng; Wade–Giles: Hsin Hsin Ming; Rōmaji: Shinjinmei), meaning literally: "Faith-Mind Inscription", is a poem attributed to the Third Chinese Chán Patriarch Jianzhi Sengcan (Chinese: 鑑智僧璨; Pīnyīn: Jiànzhì Sēngcàn; Wade–Giles: Chien-chih Seng-ts'an; Romaji: Kanchi Sōsan ...
Chinese spiritual world concepts are cultural practices or methods found in Chinese culture.Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious ...
Fulu for placement above the primary entrance of one's home, intended to protect against evil. Fulu (traditional Chinese: 符籙; simplified Chinese: 符箓; pinyin: fúlù) are Taoist magic symbols and incantations, [1] [2] translatable into English as 'talismanic script', [a] which are written or painted on talismans by Taoist practitioners.
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.