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Robert Hunter wrote the lyrics in 1970 in London on the same afternoon he wrote those to "Brokedown Palace" and "To Lay Me Down" (reputedly drinking half a bottle of retsina in the process). [3] Jerry Garcia wrote the music to accompany Hunter's lyrics, [ 3 ] and the song debuted August 18, 1970 at Fillmore West in San Francisco.
"24" is named after the jersey number of Kobe Bryant, to whom the song was recorded in tribute.. After postponing the release date of his scrapped album Yandhi twice, West started hosting choir sessions in early 2019, enlisting Jason White with arranging a choir and Nikki Grier to help with re-writing lyrics to create gospel renditions of songs in his discography.
"24" is a song by American rapper Money Man. It was released on February 21, 2020 as a single from his eighteenth mixtape, Epidemic . [ 1 ] A remix version featuring Lil Baby was released on August 14, 2020.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
"Some Chords" is an instrumental by Canadian electronic music producer Deadmau5, released on 3 May 2010 as the first single from his fifth studio album 4×4=12. The song peaked at 13 on the Dance/Electronic Digital Song Sales chart in the US, and 120 in the UK Singles Chart .
Ripple was an American funk band from Michigan. The group was signed to GRC Records and Salsoul Records in the 1970s and scored several hit singles , the biggest of which were "I Don't Know What It Is, but It Sure Is Funky" [ 1 ] and "The Beat Goes On and On," the latter on Salsoul Records , joined by the Salsoul Orchestra .
A music video for the song was released on February 4, 2020. Directed by Sophie Caraan, it sees Lil Tjay in Miami via private jet, being chauffeured in expensive car and in a private yacht with his friends.
100% received generally positive reviews from music critics.Allmusic editor Jon O'Brien found that the album "appears to have jumped on the ubiquitous '80s revival bandwagon [echoing] the classy soul balladry of Anita Baker, the synth-heavy funk of Alexander O'Neal, and the acid-jazz leanings of early Brand New Heavies.