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The Great Trek was used by Afrikaner nationalists as a core symbol of a common Afrikaans history. It was used to promote the idea of an Afrikaans nation and a narrative that promoted the ideals of the National Party. In 1938, celebrations of the centenary of the Battle of Blood River and the Great Trek mobilised behind an Afrikaans nationalist ...
Potgieter chose the one on the plain, while Uys decided to attack the hill in front of the commando. The pack horses were left here and Uys crossed the Nzololo. He continued along the deep pools of the Reed creek and crossed it some 120m further, swinging north to ascend Italeni Hill where the white shields were waiting.
This plunged the Great Trek into temporary disarray. In total 534 men, women and children were killed in the Weenen massacre . Retief's death and the Weenen massacre eventually led to the decisive Voortrekker victory at Blood River , after which Andries Pretorius and his "victory commando" recovered the remains of the Retief party.
The carronade used during the battle on an improvised carriage Andries Pretorius brought with him from the Cape. The trekkers—called Voortrekkers after 1880 [4] —had to defend themselves after the betrayal murder of chief Trekker leader Piet Retief and his entire entourage, and ten days later the Weenen/Bloukrans massacre where "not a soul was spared."
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The subsequent favourable reports of the Commission Treks resulted in many farmers leaving their farms and trekking into the interior of Southern Africa, in what later became known as the Great Trek. Uys sold his own farm in December 1836 and left the Uitenhage area with his party of 100 Voortrekkers (as they became known) in April 1837.
Cilliers was made the unofficial pastor of the Great Trek, and he would hold services on a daily basis and give Sunday Communion. During the Great Trek he became distinguished as a spiritual leader, earning him such names as The Prophet of the Great Trek and The Father of Dingaansdag (Dingane's Day). In 1837, he was appointed to one of the two ...
Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount.