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[9] [10] The name was also applied to members of the subculture partly because of their characteristic greased-back hair. [ 11 ] The dominant name for the subculture during the 1950s was hoods , in reference to their upturned collars, with many also calling them J.D.s (abbreviated from juvenile delinquents ). [ 8 ]
The applicants were whittled down to 50, who attended "Grease Academy" for intensive training and testing, particularly in voice and dance. From these, 12 contestants were selected by the judges. The panel of three judges consisted of director/choreographer Kathleen Marshall, Grease co-writer Jim Jacobs, and British producer David Ian.
More simple early 1970s trends for women included fitted blazers (coming in a multitude of fabrics along with wide lapels), long and short dresses, mini skirts, maxi evening gowns, hot pants (extremely brief, tight-fitting shorts) paired with skin-tight T-shirts, [18] his & hers outfits (matching outfits that were nearly identical to each other ...
Popular clothes for women in the job market include knee-length skirts, wide-legged slacks, a matching blazer, and a blouse of a different color. Kitten-heeled shoes were often worn. [ 11 ] Formal shoes became more comfortable during this period in time, with manufacturers adding soles that were more flexible and supportive. [ 42 ]
In the late 2000s, there was a large scale 1980s revival in Europe and the US, which incorporated general items of late 1980s and early 1990s streetwear, such as neon colors, gladiator sandals, [27] boat shoes like Sperrys, animal print or polka dot headbands, knitted sweater dresses, Nike Tempo shorts, jean skirts with tights or capri leggings ...
Just like women, men had certain attire that was worn for certain events. Tuxedos were appropriate attire at the theater, small dinner parties, entertaining in the home, and dining in a restaurant. During the early 1920s, most men's dress shirts had, instead of a collar, a narrow neckband with a buttonhole in both the front and back.
Sabrina Carpenter's "because i liked a boy" music video from her "emails i can't send" album that dropped on July 15th features five looks. We break them down here.
For much of the early and mid 1990s, power dressing was the norm for women in the workplace: [45] navy blue, grey or pastel colored skirt suits with shoulder pads, [46] pussy bow blouses, silk scarves, pointed shoes, stretchy miniskirts, [47] polka dot blouses, and brightly colored short dresses worn with a dark brocade blazer, bare legs and ...
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