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The musically "lazy" chord structure viewed in combination with the meta-lyrics reveal the true extent of what a critic for The A.V. Club describes as song's "genius": "the commentary is a big joke about how listeners will like just about anything laid on top of the chords of the infinitely clichéd Pachelbel canon, even lyrics that openly mock ...
The song was orchestrated by Don Bagley and Bob Harris and produced by Graham Nash, [4] with a production designed for radio airplay. [citation needed] The last-minute addition of “Jesus Was a Cross Maker” to Sill's debut album necessitated the removal of two songs, “The Pearl” and “The Phoenix,” which later appeared on her 1973 album Heart Food.
"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song.
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener." [1] The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Bart Howard, "Fly Me to the Moon" The song opens with a pattern of descending phrases – in essence, the hook of the song – presented with a soothing predictability, almost as if the future direction of the melody is dictated by the opening five notes. The harmonic progression, for its part, rarely departs from the circle of fifths. [21]
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