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Tanjore Royal Palace. The work comprises four sections, between them consisting of five hundred and eighty-four poems, and belonged to the genre of śṛṅgāra-kāvya or śṛṅgāra-prabandham, [2] 'a genre associated in the history of Telugu literature with the Thanjavur era' whose poems were mostly inventive retellings of the story of Radha and Krishna, evoking the rāsa of Sringara. [3]
In Vidyapati's work, Radha is depicted as a young girl barely twelve years old, while Krishna is depicted slightly older than her and as an aggressive lover. In the work of poet Chandidas, Radha is depicted as a bold woman who is unafraid of social consequences. Radha abandons all social propriety in the name of her love for Krishna.
Ashtasakhi with Radha Krishna at Sri Radha Rasbihari Ashtasakhi Temple, Vrindavan. Lalita: Out of eight prominent sakhi, Lalita is the foremost sakhi. She is the eldest gopi among Ashtasakhi and is 27 days older than Radha. She was born to her parents Visoka (father) and Saradi (mother) in Unchagaon, near Barsana. [6]
The subject matter of the poetry is the love of Radha and Krishna, on the banks of the Yamuna in Vrindavana; their secret trysts in the forests, Krishna's charms including his magic flute, the love of the gopis for Krishna, Radha's viraha on being separated from Krishna and her anguish on seeing him sporting with the other gopis. Much of the ...
The Brahmavaivarta Purana, along with Bhagavata Purana, have influenced performance arts and cultural celebrations in India, such as with Rasa Lila in Manipur above.. This text is mostly legends, worship, mythology and drama during the life of Radha and Krishna, with discussion of ethics, dharma, four stages of life and festivals embedded as part of the plot.
Besides, Krishna is a chronic bachelor and misogynist owing to the past of his elder sibling, no other than Krishna Mohan Rao. Radha, a fine girl, admires his attitude and falls for him on behalf of his turndown. Presently, Chinna is ten years old, Shantamma is aging, and her health is deteriorating.
Jayadeva worshipping Krishna and Radha. The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it.
Once the 100 years of separation period was over for Radha Krishna, Krishna came back to Braj and met all the Ashtasakhi and Radha in the Kadli forest. There Krishna summoned a huge divine chariot and took Radha, all the gopis including Lalita and residents of Braj back to their celestial abode Goloka .