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The root word stupid, [1] which can serve as an adjective or noun, comes from the Latin verb stupere, for being numb or astonished, and is related to stupor. [2] In Roman culture, the stupidus was the professional fall guy in the theatrical mimes.
The fool is a stock character in creative works (literature, film, etc.) and folklore. There are several distinct, although overlapping, categories of fool: simpleton fool, wise fool, and serendipitous fool. The six volume Motif-Index of Folk-Literature contains (in volume four) a group of motifs under the category "Fools (and other unwise ...
lower of two floors that are each at a different ground level due to sloping terrain (UK: lower ground floor) guard the official in charge of a railway train (US & now UK also: conductor) to watch over for security one who guards a protective device. one of two positions in basketball, usually players who are the best ball-handlers and shooters ...
The Idiot by Evert Larock (1892). An idiot, in modern use, is a stupid or foolish person. 'Idiot' was formerly a technical term in legal and psychiatric contexts for some kinds of profound intellectual disability where the mental age is two years or less, and the person cannot guard themself against common physical dangers.
The word translated as fool is the Greek moros, which has a similar meaning to the Aramaic reka. However moros also was used to mean godless, and thus could be much more severe a term than reka. The reading of godless can explain why the punishment is more severe. [11] Jesus uses the term himself in Matthew 23:17 when he is deriding the Pharisees.
Fool me twice, strike three." — Michael Scott, "The Office" "The fools among us are presented to be wise, and the wise among us are presented to be fools" — Santosh Kalwar
In The Idiot, everything revolves around the two central carnival figures of the "idiot" and the "madwoman", and consequently "all of life is carnivalized, turned into a 'world inside out': traditional plot situations radically change their meaning, there develops a dynamic, carnivalistic play of sharp contrasts, unexpected shifts and changes ...
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...