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The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. [3]
The Renaissance architecture that found its way to Scandinavia was influenced by the Flemish architecture, and included high gables and a castle air as demonstrated in the architecture of Frederiksborg Palace. Consequently, much of the Neo-Renaissance to be found in the Scandinavian countries is derived from this source.
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.. The influences upon the development of Renaissance painting in Italy are those that also affected architecture, engineering, philosophy, language, literature, natural sciences, politics, ethics, theology, and other aspects of Italian society during the Renaissance period.
The first Renaissance endeavor in Urbino was the portal of the church of San Domenico, created in 1449 in a manner similar to a Roman triumphal arch by Maso di Bartolomeo, [8] called to the city through the intercession of Fra Carnevale, an Urbino painter sent perhaps by Federico himself to the workshop of Filippo Lippi, one of the three most famous Florentine painters of the time (along with ...
Primarily through the depiction of architecture, Renaissance artists were able to practice the art of three-dimensional illusion using linear perspective, which gave their works a greater sense of depth. [3] The pictures in the gallery below show the development of linear perspective in buildings and cityscapes.
Renaissance sculpture took as its basis and model the works of classical antiquity and its mythology, with a new vision of humanist thought and the function of sculpture in art. As in Greek sculpture, the naturalistic representation of the naked human body was sought with a highly perfected technique, thanks to the meticulous study of human ...
These began with the 1494 invasion by France that wreaked widespread devastation on Northern Italy and ended the independence of many of the city-states. Most damaging was the 6 May 1527, Spanish and German troops' sacking Rome that for two decades all but ended the role of the Papacy as the largest patron of Renaissance art and architecture. [38]
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