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The 5E1 [5] and 5F1 [6] circuits used a 12AX7 dual triode in the preamplifier to provide two stages of voltage amplification, and a single 6V6GT power tube to produce about 5 watts. A Champ from this era can easily be dated by the code stamped on the tube chart, [7] by the code stamped on the speaker [8] or by its serial number. [9]
The circuitry was altered to include a second 12AX7 preamp tube, a gain control, and a spring reverb in addition to the single volume control, as well as a standby switch to preserve tube life. Thanks to a dual function jack on the amp's rear panel, the Hot Rod can also be used as a standalone reverb unit to be used in conjunction with another ...
On the 50-watt model this was reflected in the numbering – 2550 is switchable from 25 to 50 watts – and also reflected Marshall amplifiers' 25th anniversary and Jim Marshall's 50 years in music. The amplifiers were trimmed in silver covering, and had a bright silver-coloured faceplate, along with a commemorative plaque.
Blackstar's alternative range to the HT Venue range - clearly designed for Metal music and play-styles. Heads come in 1, 5, and 100 watt formats, and 1, 5, and 60 watt in combo format. These amps carry the signature ISF and emulated output of Blackstar amps. The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 ...
The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
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