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Asian lacquer and European lacquer have different chemical properties, and therefore require different materials and techniques for treatment. Prior to conservation treatment, conservators and conservation scientists analyze and document the properties of the work to determine the best methods and materials for its treatment. [14]
Lacquer is applied to a surface that has been cleaned with ethanol, acetone, or methyl ethyl ketone. Oils from human hands prevent the lacquer from adhering to the silver. Agateen No. 27 (cellulose nitrate) and Paraloid B-72 are the most commonly used lacquers however there is a debate which lacquer, cellulose nitrate or acrylic, is best. [10]
Lacquer dish with Chinese character for longevity, mid 16th century Maki-e sake bottle with Tokugawa clan's mon, Japan, Edo period Lacquer plate, Nam Định province, Vietnam, Nguyễn dynasty Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal.
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
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The best known lacquer, an urushiol-based lacquer common in East Asia, is obtained from the dried sap of Toxicodendron vernicifluum. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK. Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.
Japanese armour makers started to use leather (nerigawa), and lacquer was used to weatherproof the armour parts. Leather and or iron scales were used to construct samurai armour, with leather and eventually silk lace used to connect the individual scales (kozane) from which these cuirasses were now being made. [12]
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