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  2. Thirty-two-bar form - Wikipedia

    en.wikipedia.org/wiki/Thirty-two-bar_form

    "Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.

  3. Moonglow (song) - Wikipedia

    en.wikipedia.org/wiki/Moonglow_(song)

    Ignoring the seldom recorded verse, "Moonglow" is a 32-bar tune in the form of AABA. "Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. [1]

  4. Body and Soul (1930 song) - Wikipedia

    en.wikipedia.org/wiki/Body_and_Soul_(1930_song)

    The 32-bar AABA form is typical of popular songs of the time. [3] The "A" section uses conventional chord progressions including ii–V–I turnarounds in the home key of D flat, however the bridge is highly unusual in its tonal center shifts.

  5. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...

  6. Easy Living (song) - Wikipedia

    en.wikipedia.org/wiki/Easy_Living_(song)

    "Easy Living" is a jazz standard written by Ralph Rainger with lyrics by Leo Robin for the 1937 film Easy Living [1] [2] A popular recording of the song was released in 1937 by Teddy Wilson for Brunswick Records , [ 1 ] featuring Billie Holiday , Benny Goodman , and Lester Young .

  7. Afternoon in Paris - Wikipedia

    en.wikipedia.org/wiki/Afternoon_in_Paris

    "Afternoon in Paris" is a 1949 jazz standard.It was written by John Lewis. [1]"Afternoon in Paris" has a 32-bar AABA form and is usually played in the key of C major.In several of the song's phrases, the tonal center changes (when played in C, there is a shift to B ♭ and A ♭), defining a complex harmonic structure that is of interest to both theoreticians and soloists.

  8. So What (Miles Davis composition) - Wikipedia

    en.wikipedia.org/wiki/So_What_(Miles_Davis...

    It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1] This AABA structure puts it in the thirty-two-bar format of American popular song.

  9. Stompin' at the Savoy - Wikipedia

    en.wikipedia.org/wiki/Stompin'_at_the_Savoy

    Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast.