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"Foolish Beat" is a song by American singer-songwriter Debbie Gibson, released as the fourth single from her debut album, Out of the Blue (1987), in April 1988. The single topped the US Billboard Hot 100 on June 25, 1988, giving Gibson the record for the youngest person to write, produce, and perform a number-one single entirely on her own, at ...
The song spent ten consecutive weeks at number one on the US Billboard Hot 100 and on the Hot R&B/Hip-Hop Songs chart, becoming Ashanti's second number one and third top ten on both charts. It is Ashanti's highest charting single as a lead artist. Elsewhere, "Foolish" became a top ten hit in the United Kingdom, Australia, New Zealand and Canada.
Gibson was born in Brooklyn, New York, on August 31, 1970, the third of Diane (née Pustizzi) and Joseph Gibson's four daughters. [1] [9] [10] Her father, who enjoyed singing, was originally named Joseph Schultz and was abandoned by his mother as a boy; [11] his biological mother married a man with the surname Gibson before putting Joseph in an orphanage. [12]
Debbie Gibson still holds the record as the youngest female artist to write, produce, and perform a Billboard Hot 100 No. 1 single, a feat she accomplished at age 17 with “Foolish Beat.”
The song became a sleeper hit, eventually rising to the number four position on the Billboard Hot 100, making Gibson one of the few teenage singers to have a top five hit. While it did not enter the top fifty in the UK upon its original release, "Only in My Dreams" was re-issued in 1988 following the chart success of following single " Shake ...
Pages in category "Songs written by Debbie Gibson" The following 23 pages are in this category, out of 23 total. ... Foolish Beat; For Better or Worse (Debbie Gibson ...
"Out of the Blue" is a song by American singer-songwriter-actress Debbie Gibson, and is the title track of her debut studio album Out of the Blue (1987). It was released on January 8, 1988 in the United States as the third single from the album. [3] The song was written and co-produce by Gibson, with Fred Zarr providing extra production.
Given the song's title and premise, Lamar's final point seems a little sanctimonious, no? "Meet the Grahams" is a deeply sinister, malevolent song that feels almost dirty to listen to. I rebuke it. 5.