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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
The seventh chapter of the Book of Daniel tells of Daniel's vision of four world-kingdoms replaced by the kingdom of God. Four beasts come out of the sea, an angelic guide interprets the beasts as kingdoms and kings, the last of whom will make war on the "holy ones" of God, but he will be destroyed and the "holy ones" will be given eternal ...
Daniel is episodic rather than linear: it has no plot as such. It does, however, have a structure. Chapters 2–7 form a chiasm, a literary figure in which elements mirror each other: chapter 2 is the counterpart of chapter 7, chapter 3 of chapter 6, and chapter 4 of chapter 5, with the second member of each pair advancing the first in some way.
The NIV Study Bible is a study Bible originally published by Zondervan in 1985 that uses the New International Version (NIV). Revisions include one in 1995, a full revision in 2002, an update in October 2008 for the 30th anniversary of the NIV, another update in 2011 (with the text updated to the 2011 edition of the NIV), and a fully revised update in 2020 named "Fully Revised Edition". [1]
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
The "abomination that desolates" in verse 27b (cf. 1 Maccabees 1:54) is usually seen as a reference to either the pagan sacrifices that replaced the twice-daily Jewish offering, (cf. Daniel 11:31; 12:11; 2 Maccabees 6:5), [85] [86] or the pagan altar on which such offerings were made.
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