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Sweet Dreams is a series of over 230 numbered, stand-alone teen romance novels that were published from 1981 to 1996. Written by mostly American writers, notable authors include Barbara Conklin, Janet Quin-Harkin , Laurie Lykken, Marilyn Kaye (writing under the pseudonym Shannon Blair), and Yvonne Greene.
Sweet Dreams (Chinese: 一千零一夜; pinyin: yī qiān líng yī yè) is a 2018 Chinese television series starring Dilraba Dilmurat and Deng Lun. [1] The series premiered on June 25, 2018 on Hunan TV. [2] The series has reached 6 billion views before the drama wrapped its run.
Sweet Dreams is a 1973 novel by English writer Michael Frayn. [1] The book follows a middle-class intellectual man, Howard Baker, who dies and ends up in a middle-class intellectual version of heaven, where he and his circle of middle-class intellectual friends have jobs such as designing the Alps and creating man. Howard moves through a series ...
Sweet Dreams: Philosophical Obstacles to a Science of Consciousness is a 2005 book by the American philosopher Daniel Dennett, based on the text of the Jean Nicod lectures he gave in 2001. Zombies [ edit ]
Sweet Dreams is a 2023 drama film written and directed by Ena Sendijarević, and starring Renée Soutendijk and Hayati Azis. An international co-production between the Netherlands and Sweden, the film is set on a plantation in the Dutch East Indies around the beginning of the 20th century and takes a critical look at the Dutch colonial past.
Sweet Thursday is a 1954 novel by John Steinbeck. It is a sequel to Cannery Row and set in the years after the end of World War II . According to Steinbeck in the narrative, "Sweet Thursday" is the day between Lousy Wednesday and Waiting Friday.
"Sweet Dreams (Are Made of This)" was created and recorded in two places, first in Eurythmics' tiny project studio in the attic of an old warehouse in the Chalk Farm district of north London where they were living at the time, then in a small room at The Church Studios in north London.
Train Dreams is a novella by Denis Johnson. It was published on August 30, 2011, by Farrar, Straus and Giroux . [ 2 ] It was originally published, in slightly different form, in the Summer 2002 issue of The Paris Review .